*NEW WEBSITE*



i made myself a new squeaky clean website!
please visit me at www.jessicalynnbonin.com






what it takes






you have to start somewhere.  when designing, i usually take an "idea" from my client, and give it my best first shot.  then, with advice from them, i am able to steer the design, to make edits and various attempts at getting it just right.  because a logo is something you want to love, live with, and look at again and again.  sometimes it happens right away, i hit the nail on the head, and sometimes it's a lengthy process.  but eventually, by hook or by crook, we will get to the finished product.  here is a list of preliminary design ideas for a client that shows just how an idea can transform.  none of these are the finished product.

it's the water

watercolor on canvas
for the grand-reopening of JINX/make-shift, bellingham wa
24x36

blues

private commission
for the proud new owners of bow hill blueberries
watercolor, 9x12

logo designs


hand-hewn logo designs 
for future large scale hand-painted enamel & metal road signs

recent exhibits

the old town cafe, bellingham wa

the table, bellingham wa


jinx show, april 2011

the fountain of youth

new work




wildcraft



hand-drawn silkscreen/goco book cover design

community science toolkit illustrations

invasive species and diseast
pollution
climate change
destructive fishing practices
overfishing
illustrations for the Community Science Toolkit
created by the Sustainable Development Network,
West Africa Region, World Bank

motorbike mania

2.5' x 4'
2003

good natured

patience
16" x 22"
moth boy
20" x 24"
(inquiries: pollodelviento@yahoo.com)

eli moore

watercolor & ink on bristol
8" x  10"
2010

la familia del viento

la familia del viento 
acrylic on nesting dolls
for the "nesting" show @ the lucky dumpster
2010

kitchen wisdom

kitchen wisdom 
mixed media on found plaques
for the "locals" show @ the edison eye
2010

to the rescue


this is a mobile i did about the passing of my mother. it came to me in a flurry just a couple months after she died. it represents the notion of a whirlwind rescue effort gone awry, the serenity and beauty of death, a swift escape into the afterlife, and the eternal child that exists within even amidst turmoil.

family album



james' grandma mickie is an amzing painter and photographer. she and her husband gordon lived for a long time on the beaches of Tahuya, where all the families would gather. hoards of grandchildren could romp around wild in the sand and saltwater. mickie let me borrow her envelope of photos for a spell, knowing that i loved musing over children and their activities, and the beauty of the landscape, & knowing that we shared this source of inspiration for our work. it was a delight to see her sense of composition and beauty, and i knew that these weren't simply snapshots, they were pieces of art. these paintings were done a couple of years ago and given to the family as gifts.

portrait


i get a lot of requests for pet portraits. since every animal has a unique personality, they can often be challenging, especially if (as in this case) i've never met the pet. i always try to "capture the essence" of the energy i see, in photos or in person. it's not always perfect, and i've even missed the mark completely before and had to start from scratch! this one was painted in december for a christmas gift, and traveled all the way to california, to it's happy recipient.

the anatomy of optimism



found slides, thread, x-ray viewing lightbox

to me, the seed represents optimism. this piece came together serendipitously: i was given a box of seed slides as a gift. i knew that i wanted to have them illuminated with light, but with each slide meticulously hand-labeled in its latin name and stamped with a date, the cardboard surrounding the image was nearly as alluring. i stumbled across a free x-ray box that needed some wiring help...hence this sculpture was born. i have been "quilting" photos together since art school, this was an obvious application for me-- stitching images to make a greater image. finished, the piece references my experience with my mother; through the process of her illness and all of the hospital procedures--scans, x-rays, exams, poking, prodding--there was the eternal element of hope, of optimism. she always considered me her prodigal "seed", a way for her to work way beyond her mortal means.